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From CitizensVoice.com, Pennsylvanians care about history, don’t cut back on historic sites
Pennsylvania faces serious economic challenges this year
and funding for some of the state’s most cherished and
important programs faces severe reductions or
elimination. As chairman of the Pennsylvania Historical
and Museum Commission, I understand the need for reduced
spending, but I also know that the Pennsylvania we value
will not be sustainable beyond this immediate crisis if
adequate support for its historic sites, museums,
markers, collections and archives is not continued.
Wayne Spilove
From the Philadelphia Inquirer, Public deserves to see these murals I was dismayed to learn of the U.S. Postal Service's refusal to allow staff from the State Museum of Pennsylvania to see the wonderful murals by Moses and Raphael Soyer currently hanging in USPS offices on Chestnut Street ("Push for public access to New Deal murals," April 27). The Treasury Department's mural program was one of the more visually enduring legacies of Franklin Roosevelt's New Deal. We do hope that the USPS continues to respect the original intent of this program: making these paintings as broadly accessible as possible.
Wayne Spilove 15th Annual Preservation Awards- Grand Jury Award 1906 Spruce Street
Project architects Campbell Thomas & Co. found photos at the Philadelphia City Archives of 1906 Spruce Street before the modernist alterations. Working primarily with these photographs and what could be discerned from the remnants of the damaged brownstone and existing masonry detailing that remained, CTC created a new facade elevation within the constraints of the modified, street-level entry location, that restores much of the original detailing of the magnificent 19th-Century facade. The entire first level of the facade had to be reconstructed without disturbing the upper three floors of the masonry facade. Great care was taken to find replacement brick that closely matched the existing brick on the upper floors, as well as cut-stone to match the existing trim. The sandstone used to recreate the first floor facade trim came from Ontario. Other restoration work included a custom mahogany front entry door, side-lights, and transom; reproduction wooden window sash; repairs to the upper-floor masonry; and a historically appropriate paint scheme. As the job progressed, CTC's scope of work was increased to include development of a design treatment for the first level of the interior lobby. CTC developed a treatment for the first level of the interior lobby that, while somewhat more contemporary, incorporates such traditional elements as an oak stair with wood rail and balusters, and a wood panel wainscot.
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